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Historical view of beauty
Historical view of beauty

The Taj Mahal is an example of symmetry in architecture.There is evidence that a preference for beautiful faces emerges early in child development, and that the standards of attractiveness are similar across different genders and cultures.[4] Symmetry is also important because it suggests the absence of genetic or acquired defects[citation needed].

Although style and fashion vary widely, cross-cultural research has found a variety of commonalities in people's perception of beauty. The earliest Western theory of beauty can be found in the works of early Greek philosophers from the pre-Socratic period, such as Pythagoras. The Pythagorean school saw a strong connection between mathematics and beauty. In particular, they noted that objects proportioned according to the golden ratio seemed more attractive[citation needed]. Ancient Greek architecture is based on this view of symmetry and proportion.

Classical philosophy and sculptures of men and women produced according to these[which?] philosophers' tenets of ideal human beauty were rediscovered in Renaissance Europe, leading to a re-adoption of what became known as a "classical ideal". In terms of female human beauty, a woman whose appearance conforms to these tenets is still called a "classical beauty" or said to possess a "classical beauty", whilst the foundations laid by Greek and Roman artists have also supplied the standard for male beauty in western civilization[citation needed].

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